Please join me in welcoming guest author Devon Ellington to the site, for some interesting insight on a great way to find freelance writing jobs…
As freelance writers, we have a special gift: we listen to our clients and transform their needs into engaging copy to enchant a wider audience and profit all of us. Hunting down these jobs takes time and attention to detail. Pinar Tarhan has a great post up on finding legit, paying web markets on this very blog, titled, “9 Simple Ways Writers Can Find Paying Web Markets.”
But there’s an alternative to hunting down vacancies posted by someone else.
Create your own job.
Convince the company to whom you’re pitching that they can’t live without you. A striking web presence is a must for successful business, and it needs regular, exciting content. Often, a company isn’t quite sure what it wants and needs, but you can present them with well-thought out, creative ideas and convince them that you are the perfect person to implement them. You’ve given them more than they knew they needed, it gets them beyond their original goals, and you wind up with a more interesting job than anything they could think up internally. Because you understand them and think beyond their usual parameters.
How do you do that? It takes more initial legwork, the process of landing the job can take longer, but it pays off in the end, both financially and creatively.
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I’m going to be honest with all of you – I suck at writing business plans.
In fact, despite operating four separate companies over the past seven years, I’ve only ever written a true, formal business plan as part of a Home Ec project in high school.
It’s not that I don’t think writers need to have business plans. Quite the contrary! Although it’s unlikely that most freelance writers will ever need to seek out bank loans or other types of financing (typically the impetus behind crafting traditional business plans), we do still need the structure of a plan to ensure that we’re meeting goals and growing our businesses in a sustainable, financially-savvy way.
So that said, here’s my “short cut,” DIY method for coming up with a viable business plan that doesn’t waste time on cheesy mission statements or unnecessary financial projections:
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You all know how much I hate content mills. Today, guest blogger Sarah Li Cain explores all the reasons these clients really, truly suck…
When I started freelancing, all I wanted to do was get paid right away and never thought of much else. Unfortunately, writing for content mills was probably the worst decision I’ve ever made. Yes, I didn’t get paid much, but that’s beside the point. Writing for content mills had an impact not only on me emotionally, but creatively too. I was setting myself up for failure in the long run!
I’m here to tell you how content mills hurt me so that it doesn’t happen to you.
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There’s been a lot of uproar in the freelance community recently as a result of journalist Nate Thayer’s decision to publish an email conversation he had with one of the editors at the Atlantic Magazine. The whole thing is worth a read, but it basically resolves around Thayer’s (highly unnecessary, in my opinion) decision to attack the editor for requesting an “exposure only” article for the Magazine’s website.
(For the record, I think he made great points – I just think that he targeted the wrong person in his attack and aired his grievances in an inappropriate venue. More on that a little later…)
The result of this fervor has been an uptick in blog articles asking the question, “Can anybody make a living as a freelance writer anymore?”
To me, this is a strange discussion to be having in the first place, as I am currently making a living writing – and so are plenty of other people I know. If it isn’t possible to do this anymore, I’m confused as to what the people who keep sending me checks each month think I’m doing…
To clear up any doubts about the current availability of freelance writing work, I want to share with you the three writing-oriented business/income models that have allowed me to be fully employed as a writer during different periods of my life. I’m not advocating that you follow any of these in particular – I just want to show you how exactly it’s possible to make a living as a writer in this day and age:
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Please help me welcome the awesome Pinar Tarhan to the blog today, for an awesome guest post that’s packed full of cool resources for web content writers who want to get paid (that’s all of you, right??).
I love writing for the web. Really. I mean, what’s not to love? It is fast, interactive, concise and fun. You usually need to use a friendly tone; and editors often encourage you to get personal, deriving from your own life to relate to your audience.
It’s not just the writing style that I love, though. Researching your market is easy, fast and usually free. An online publication’s previous issues are on the net for your familiarization. Oh, and you no longer need to deal with SASE, or wait for your mail to be delivered (though there are few web markets that don’t accept e-mail submissions.) And most web editors aren’t crazy about phone calls either. I don’t know about you, but I belong to the group of writers that cringe at the possibility of a phone pitch, or a query follow-up.
Not to mention, most online markets are more open to new writers. There is a “Show me what you’ve got” attitude rather than the “Let’s talk after your portfolio gets impressive” wall.
But of course, like most cool things, there’s a catch.
We don’t have one really comprehensive go-to collection for paying web markets. There’s no web markets equivalent of Writer’s Market- a resource most writers happily use and recommend. It’s up to us to do the digging.
The good news is we can make our own gigantic and ever-growing list that we keep updating as we go along. Below are 9 simple ways of finding web markets:
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One of the trickiest things about leaving your job to become a full-time web content writer is figuring out how you’ll replace all those cushy fringe benefits you had (or, hopefully had) at your last day job. Health insurance is the obvious elephant in the room, but don’t forget about the other perks you enjoyed – specifically, life and disability insurance.
Depending on your financial situation, you might not need life insurance. If you have a small amount of savings, no debt and no dependents, a life insurance policy may be overkill – as your unexpected death wouldn’t leave a financial burden for your loved ones. (Sorry, there’s no way to be super cheerful when discussing insurance policies!)
Disability insurance, on the other hand, is more of a necessity than most people realize. According to the Social Security Administration, just over 1 in 4 of today’s 20-year-olds will become disabled before they retire.
And lest you think your healthy lifestyle will keep you safe, be aware that a typical female who is 35 years old, 5’4” tall, 125 pounds, non-smoking, lives a generally healthy lifestyle, works an office job and has some outdoor physical responsibilities still has a 24% chance of becoming disabled for three months or longer during her career. If she becomes disabled, she has a 38% chance that her disability would last five years or more, with the average duration of 82 months.
The statistics are about the same for a healthy male meeting these same criteria, and go downhill pretty quickly if you’re a smoker or have other lifestyle factors working against you. Pretty scary stuff, right???
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Funny story… I worked as a freelance writer for more than four years before I started to think about it as a creative profession (and even then, that realization only happened because a friend asked me, “Is it hard to have to be creative all the time?”).
For a long time, I thought of writing as something that you just “do” – like eating meals, sleeping at night or doing any kind of rote work. But the reality is that writing is an inherently creative process, and that means that it comes with its own set of challenges and demands that must be balanced to ensure continuous productivity.
There are days when I feel like my creative juices have run out and days when I feel like I have absolutely nothing left to say about the topics I typically write on. I’m sure anyone else working as a writer has experienced this type of burnout before – and while I don’t have a solution for the larger overall issue of managing creative energy sustainably, I have found a way to trick myself into being productive when it feels like I couldn’t possibly write another word.
Basically, this trick relies on the Pomodoro method. If you aren’t familiar with the technique, it involves alternating brief work periods with even shorter breaks. In its classic implementation, the system involves working for 25 minutes and then taking a break for five minutes (although, when I’m feeling really burned out, I’ll often dial this back to 20 minutes of work followed by 10 minutes of break time), with longer rest periods scheduled after every few hours of productive work.
I’ve found this system to be a great way to break larger, much scarier looking projects down into doable chunks. However, anyone who’s ever tried this technique knows that the biggest hurdle to overcome is simply starting the clock and launching in to that first period – no matter how short it may be. In some situations, the thought of doing 20 or 25 minutes of work can seem as daunting as tackling your entire workload at once, which is why I realized I had to change things up a bit.
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Today, I’m welcoming guest blogger Sophie Lizard to Write Your Revolution. Thanks Sophie for such a refreshing, insightful article!
Your dream client is visiting your freelance writer website right now, while you’re reading this.
They heard about you, they think you sound awesome, and their budget is huge.
But… what they read on your website puts them off the idea. They don’t pick up the phone. They hit backspace, and they go somewhere else.
Do you want that to happen to you?
Of course not.
But it happens more often than you’d ever like to think. So let’s do something about that, today.
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As a freelance web content writer, finding the ideal moment to quit your day job for full-time self-employment can be a tricky process. Although you might be dying to put in your two-week’s notice, flip your boss the bird and ride off into the sunset of your new freelance career, most of the “so-called experts” out there recommend that you have at least a six-month emergency fund and a full roster of clients on hand before you even start inching towards the door.
But this is the real world! You and I both know that things don’t always go the way the financial experts tell us that they should – and I’ve found that, for many freelance writers, this results in a tremendous amount of confusion as to when the appropriate time is to actually make the leap to self-employment.
So today, I want to share with you one of my experiences leaving a day job (I’ve actually made the leap three times, though under similar circumstances in each case). I’m not saying that this is the right or wrong way to make the move to self-employment for everybody – I just want you to be aware that there are other options out there besides waiting until every single one of your ducks is in the proverbial row.
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Today, I’m welcoming freelance writer and blogger Bree Brouwer to Write Your Revolution. Thanks for the great guest post, Bree!
When I started as a freelance writer, I decided I wanted to write not only for magazines, but for online markets. It was a logical decision; everything seems to be going digital, after all. Copyblogger insisted 2013 would be the year for online content writers, so I figured I better hop on that train ASAP.
Despite my enthusiasm and what I perceived to be foresight on my part, I made some very big mistakes early on in my freelance career and ended up struggling through the first three months with no progress or samples to show. No one should have to go through what I did, so I’m here to tell you exactly where and how I screwed up.
Don’t Do What I Did!
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